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How Nicky Greig curates spaces inspired by African craftsmanship

A conversation about material honesty, provenance and place.

How Nicky Greig curates spaces inspired by African craftsmanship

Image for illustration · Art in the Middle archive

Across the Gulf, the conversation around contemporary art has shifted from spectacle to substance. What was once measured in square metres of fair space is now weighed in ideas — and the institutions, galleries and independent voices shaping that shift are increasingly homegrown.

A conversation about material honesty, provenance and place.

The most interesting work happening here right now is the work that refuses to explain itself to an outside audience.

A region finding its own language

For years the prevailing narrative framed Gulf art through an external lens — as emerging, as catching up, as derivative of older capitals. That framing is finally falling away. Artists are drawing on local material culture, oral history and the textures of the everyday, and audiences are meeting them on their own terms.

Galleries and foundations have played their part, but so have the quieter ecosystems: studio collectives in repurposed warehouses, late-night critique sessions, and the kind of long-table dinners where a sketchbook is as welcome as a plate.

What to watch next

The months ahead bring a dense calendar of openings, fairs and residencies stretching from Dubai to Diriyah. For collectors and the merely curious alike, the advice is the same: show up early, ask questions, and let the work surprise you. The scene rewards attention.

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Written by
Omar Haddad · Senior Correspondent

Omar covers the international art world through a Gulf lens — from Venice to Art Basel, tracking how the region's artists and institutions are reshaping global conversations about contemporary practice.